The Lost City of Z

Imagine a time where the idea of a lost city of gold was still a possibility. Places like Atlantis, El Dorado, Libertalia, Shambala, Iram of the Pillars… ok, at this point I’m listing the lost cities featured in the Uncharted video game. Still, the idea is quite enticing. The pull for most explorers are the ideas of vast wealth, unlimited power, immortality, etc. Spanish explorers scoured the Florida peninsula(before it was the U.S. of course) in hope of finding the fabled Fountain of Youth. Stories and myths from explorers and conquistadors has inspired countless stories that still sparks the imagination of people today.

At the dawn of the 20th century, a British explorer, Percy Fawcett discovers evidence of a previously unknown civilization and returns again and again in hopes of actually finding this lost city. This is the premise of The Lost City of Z.
This movie is not your typical adventure story. This is nothing like Indiana Jones, Tomb Raider, Sir Arthur Conan Doyle’s The Lost World, Jules Verne’s The Mysterious Island, etc. I wouldn’t even classify it as an adventure. Not that it is boring, since it’s anything but. It’s the drama that unfolds giving us insights to the mind and the heart of Percy Fawcett.

We find early on that his father has tainted his family name through drunkiness and gambling. Percy Fawcett (Charlie Hunnam) has been presented with an opportunity to redeem the family name by undertaking an expedition to explore unknown territories of the Amazons. Leaving his wife (Sienna Miller) and children (Tom Holland plays his oldest) behind, Fawcett joins his army friend Henry Costin (an unrecognizable Robert Pattinson), a native guide, and additional men from a rubber plantation and journeys up an unexplored river in the jungle. After what seems to be a peaceful journey, the group is encounters hostile natives but before being forced to return Fawcett stumbles upon shards of pottery indicating the possibility of a highly developed ancient civilization, a place he refers to as Z.

Fawcett returns to home to present his findings only to come against ridicule from the scientific community who regarded the the indigenous people as savages. With the support of his wife and his companions, he is able to make more returns to the Amazon in hopes to be able to dig deeper into the Jungle and prove his naysayers wrong. The real Fawcett actually went on 7 expeditions whereas the movie only shows 3.


The focal point of this movie is the drama that unfolds between each exploration. The separation of family and personal ambition. Percy is driven almost to the point of madness to find Z, but he leaves behind his growing family. By being gone for extended periods of time(years). He even leaves again because of a short stint of serving in the first World War. All this culminates the tension he feels between being with his family and discovering Z.

The movie is well shot and well acted. Not a single talent is wasted and that is refreshing. I’m expecting big things from Tom Holland. He continues to impress me with his emotional range. With a compelling script and an unhurried pace, Writer/director James Grey takes us on journey of curiosity and obsession.

I can’t imagine most people enjoying this at the theater. There was one moment where my mind drifted off. However by the end, I wanted to see more. I do have to iterate that this isn’t Indiana Jones or Romancing the Stones. Despites a couple intense moments, there’s no major action set pieces. Except for the few intense momentd there’s no adventurous thrills. Nobody is swinging from vines. No hidden traps triggering shooting poison darts. Just the dramatic indepth look at Percy Fawcett.


In space where no one can hear you scream. Wait. No… Wrong movie.


Life is a team of scientists aboard the ISS who studies samples from Mars and discover the first signs of life beyond Earth. Only to find this life-form is far dangerous to bring home to Earth. The crew must find a way to kill it before it kills them and find its way to Earth.

The crew consists of the generic combination which I assume is needed when you have a space mission. You need a doctor, a disease control specialist, an engineer, a biologist of some sort, some form of security, and the pilot/captain. One of the positive thing I’ve noticed was the movie doesn’t follow one central lead. The characters that shine more are the ones that survives longer. To avoid any major spoilers, each actors given their time frames do extremely well, particularly Jake Gyllenhaal. His capabilities to bring real honest human emotions given the circumstances is a testament of his acting credibility. And of course, Reynolds is given his wisecrack schtick.


The alien is a force to be reckoned with. Once developed, there’s a sense of dread and fear that harkens back to Ridley Scott’s Alien. The influence of the Alien franchise is definitely evident but despite what several professional critics have expressed, the movies do have their differences. The creature of Life is definitely creepy, and like Alien, you can’t help but wonder where it’s going to be next. There’s a few nail-biting scenes that makes it worth the watch if you’re into these kind of movies.

The film’s pace moves along quickly and it doesn’t lose its narrative structure. Despite the intensity of the suspense, it does fall into a little bit of predictability.


The special effects and the set designs are done really well. We are given some of the gnarliest death scenes I’ve seen on film in a while. Kudos, to the sfx team on that one.

If you’re into these kind of movies, Life could be worth the watch. Might be more fun for a watch at home with the lights off. That’s my honest Noble opinion. But hey, Alien: Covenant comes out soon so at least Life will whet your appetite until then.

Power Rangers

My first memory of going to see a movie on the big screen was in summer of 1995 at 7 years old watching Mighty Morphin Power Rangers: The Movie. As a kid, the movie was amazing. I spent days after dressing up as the white ranger. Running around with kicking imaginary putty patrollers and rescuing Kim the pink ranger. Yes, I had a childhood crush on Kim.


I kept up fairly well with each new team until about maybe the 4th or 5th one. I got a little older and thought that they were getting a cheesier as time went by. It wasn’t until about 5 years ago when Netflix had all the original series on their list that I had sat down to watch a few for old-time sakes. Realizing that the original team were sort of cheesy, but to me it was still nostalgic.

Having said all that, coming into this new release of the Power Rangers, I was hesitant to think that it could be decent. Transformers took off with a fun film then gradually fell as each sequel came out. The Ninja Turtles movies were less than sub par. At least Michael Bay didn’t have his hands in the Power Rangers.

In case you’re unaware of the global phenomenon that became the Mighty Morphin Power Rangers. The story revolves around 5 teenagers who were chosen and gifted with extraordinary abilities to fight against those who threaten humanity. This movie gives us a sort of breakfast club feel by bringing together 5 completely different teens; the wayward jock, a rebel cheerleader, the autistic nerd, the runaway tough-guy, and pretty much a young Ally Sheedy who is shunned from her family because she’s “different”.


The 5 teens stumble upon a buried spaceship and come upon Bryan Cranston’s Zordon and his little robot Alpha 5 voiced by Bill Hader. Both actors give great voice work to their respective characters. Zordon and Alpha trains the new crew to fight against his old nemesis Rita Repulsa, played by Elizabeth Banks.

Each member of the Rangers gets their chance to shine. Dacre Montgomery, the leader and the red ranger, brings strength to the film overall story, but the heart lies in R.J. Cyler, the Blue Ranger. In some way, he is the “Samwise Gamgee” of the group.

Elizabeth Banks gives us an updated, far creepier Rita, especially as she begins to wreak havoc on the citizens of Angel Grove. However, she does take it a little further into borderline campy as we progress along the story. But far less campy than the cackling witch we all remember from the original series. And, if I’m not mistaken, I believe they never mentioned her last name, Repulsa. Which may be a good thing.

There were a few things that I wished had been worked on to make this a slightly better experience than what it was. One, I did mention about Banks over the top borderline cheesy villainy. Two, when the Rangers got their zords. I had no idea what it was the black ranger had. I know in the original series he had a mammoth, but here I couldn’t make out exactly what it was he rode, assuming it was a mammoth. Three, Krispy Kreme? Really? I’ll leave that alone for spoilers sake.

Overall, the film is quite fun. I quite enjoyed the fight scenes and the climatic battle. I’ve read mixed reviews with more leaning towards being negative. Which lowered my expectations and gave me a little fear that it will be as bad as Transformers. Alas, in my honest Noble opinion, I’d go see it. Use it as an excuse to be a kid again.

WestWorld: A Season 1 Review

I have just witnessed WestWorld and I’m bursting at the seams to tell you all about it! I will keep this review as a general overview and not go into any details, so no spoilers ahead. Buckle up kids, its going to be a wild ride!

If you have ever thought to yourself “I wonder what Game of Thrones would be like as a western? If Westeros met the Wild Wild West?” And no, I am not talking about the beautiful, Oscar snubbed Will Smith movie. Imagine the intense drama as Game of Thrones meets the gun slinging ways of old. If that sounds intriguing, then WestWorld is just the series for you.

Pictured Above: Art

West World takes the best parts of GOT and completely creates a new and unique story. Gripping dialogue? Check. Battle for the top position in the land/company? Check. Names that do not quite make sense and are somewhat hard to pronounce? Check and Check. Though be warned, just like GOT, HBO loves to throw in its patented “have tons of sex and when we aren’t having sex let’s be naked” concept wildly about. That could be a pro or a con depending on what you want in a show, and as Katie Perry and CBS say, the more you know. Oh no… I am speaking in rhymes.

She knows too much

Not intrigued yet? Well allow me to explain one key detail my friend. All the shenanigans I have stated above, fully take place within an adult Chuck E Cheese. Yes, Chuck-E-freaking Cheeses for the twisted adult mind and no, not Dave and Busters. You see upon entering the beauty that is WestWorld, you quickly discover that the wild west is filled with two kinds of people, humans and host. The humans are well exactly that, people who wanted to get away from their mundane lives and live out their wildest fantasies in a time they could only dream about. Rich folk looking for that next high cable TV just can’t satisfy anymore.

Only 90’s kids will understand

Then you have the host, robotic AI with the ability to help you live out unique story-lines thanks to their advanced metrics and improv skill set. They can take you on the adventure of a lifetime by saving a cattle rancher from evil henchmen, have a few drinks with you in a saloon while playing cards, allow you to purchase a fine wench for a few hours of fun time or, just like in Chuck E Cheese, you can run around and blindly shoot the host/mouse and no one is going to fight back.

On second thought…maybe not a good idea

Unlike Chuck E Cheese, this is a theme park that is monitored by adults, so there is a third component at work here. The workers of this WestWorld live far above the park in the mountains and keep out a watchful eye, like the gods they fancy themselves. Enter corporate espionage. As you may already be aware, you can’t have a futuristic theme park and not have someone wanting to abuse it for something other than thrilling adventures, all the while accidentally endangering the guest…I am looking at you Jurassic Park.

“Dinosaurs, they basically watch themselves”

Combine incredibly advanced robotics, rich clients, and a company that keeps more secrets than a Lost episode and you have WestWorld. The show does an amazing job of seamlessly moving back and forth between the theme park and company whilst still showing you a good time and creating a bit of ruckus on their own. Somehow the writers make something so ridiculously futuristic seem extremely realistic, all the while challenging your view point constantly with thoughts like “Can AI feel? Is it cruel to have such power over them? How much does it cost to go?”($40,000 a day by the way).

HBO does an incredible job in casting once again. Sir Anthony Hopkins is a genius as always but it’s the supporting cast that constantly surprise me and the actors playing the robots just blow me away. I never expect any less from a major company like HBO that makes every episode seem like a big budget blockbuster.

All in all, I have thoroughly enjoyed WestWorld and its first season. You will hear some people complain, as I have heard many a time already, that the first season finale is predictable but it’s one of the many things I love about this show. What some people took as predictable, I took as a taking of power from the audience’s hands.  We are taught in storytelling to make the audience the smartest or make them feel most important, but just like George R R Martin giving the big ole middle finger to that rule by killing off beloved characters and leaving audiences completely shocked, WestWorld does something very similar. Instead of trying to surprise you or kill off the ones you love, they simply create a storyline that is somewhat predictable but unstoppable. Just like watching a moving train about to crash into a brick wall. The show reminds you that you are completely helpless and even though you “might” have predicted the ending, there is nothing you can do to stop it. YOU ARE HELPLESS. HBO shouts the same thing the oddly named Silento shouts to today’s youth “ooh watch me, watch me, oooh oooh oooh”

Pictured Above: Art

I have quickly fallen in love with this show and think that everyone should give it a shot. You may think Sci-fi might not be for you but in my Noble Opinion this show is for everyone.

I give it a full Phenomenon stamp of approval.

Get Out

Written and directed by Jordan Peele, Get Out went wide on February 24th, 2017 in the categories of Comedy, Horror, with a little Mystery & Suspense. In my noble opinion I would scale down the Horror category and narrow it to a Mystery and Suspense with some comedy. Granted the plot thickens to a moderate horrific crescendo but it was not scary to me or anyone else I went with since it was tamed with comedic overtones, which by the way was done very well.

Get Out begins with an opening scene where a black man is abducted by someone during the night on some neighborhood street. Led by Daniel Kaluuya who if you remember played Reggie in Sicario, plays the role of Chris Washington, the black boyfriend, and Allison Willams as Rose Armitage, the white girlfriend. Together for several months they decided to take the next steps that elevate their relationship to another level which would be nothing more than to meet the girlfriends parents of course. Allison is portrayed as an understanding person and just downright cool, so why wouldn’t Chris go and meet her parents. She is pretty, witty, fun, and understanding so off he goes. Surprise, that ends up not being the case as the weekend progressively compiles some quirky clues and events which lead to a situation he never could have imagined. As they arrive at Allison’s parents house, Chris notices that they have black servants on the grounds who appear to act a little odd or not as “themselves”. Allison’s parents, Bradley Whitford as Dean and Catherine Keener as Missy greet both of them warmly but later appear to be overly accommodating. Chris feels their awkward attempts to be inviting and friendly toward him are mistaken and actually reactions to the fact that their daughter is in an interracial relationship with him. Well why would that be you ask, that’s because he finds out that Allison never told her parents that he was black.


Later Jeremy arrives for dinner played by Caleb Landry Jones, who is the off-kilter’d brother of Allison. Dusk settles and Chris unveils the fact his mother had died when he was young and this is where we find out Missy is a psychiatrist who then offers to help him quit his smoking habit through hypnosis, of which Chris politely declines. That night Chris observes those wacky servants where we now see where the latest “Get Out Challenge” is derived. After those awkward encounters Chris heads back inside where Missy awaits to convince him of trying hypnosis which sends Chris into a void called the sunken place. Let the Mystery and Suspense begin here as Chris convinces himself that it was a nightmare but that could be further from the truth. However, Chris awakens the next morning with a disgust for smoking!


Allison’s parents remind her that it is their “annual get-together” of which Allison surprisingly acknowledges, “is that this weekend”? Well why not, Chris is here and let’s get this party started! Insert creepiness and comedy here. With guests arriving and taking a liking to Chris, he runs into a black guest that reminds him of someone so he calls his friend back home who just so happens to be a fantastic TSA officer, Rod Williams, played by LilRel Howery. I must say that Rod really makes the comedic presence known in this movie and without this character I might have been less intrigued as to the nature of Chris’ character development. His meeting with LaKeith Stanfield as Logan King, the black guest, winds up with Chris trying to get a picture of him to send to Rod. The flash goes off and its as if Logan awakens from something, turning to Chris he yells “Get Out”! Allison’s father Dean tries to cover up Logan’s outburst as if he had some sort of seizure from the flash of Chris’ camera phone but he does not buy it.


As more events unfold it leads Chris to realize something is very wrong here so he states he wants to leave, reluctant at first, Allison agrees to go with him. Later Rod gets back to Chris about the picture he sent him. It turns out that it was an old acquaintance of theirs that went missing a while back. This flips the switch for Chris and he now has to Get Out! Worried and trying to pack his stuff we find Allison in agreement but she can’t find her keys and they are heading downstairs! Oh how convenient! Chris keeps encouraging Allison to hurry up and find her keys but no luck. Missy and Dean are waiting for them at the bottom of the stairs along with the screw loose brother Jeremy. Horrific crescendo is met here as Chris navigates his way by whatever means necessary to Get Out. Struck by Missy’s key control through hypnosis, Chris is triggered by a clink of Missy’s spoon to the vintage coffee cup of his demise.

I will leave the rest alone but Chris and his hilarious friend Rod manage to succeed but the plot that is revealed once Chris tries to leave the house is really creepy and worth a watch. So Get Out and enjoy this comedy thriller mystery suspense…

Kong: Skull Island

The King is back! There has been several adaptations since the first introduction of the famed giant ape in 1933. Everyone has seen at one time or another the iconic top of the Empire State Building, swiping at airplanes while holding on to a blonde dame. 10 years ago, Peter Jackson brought Kong to the big screen. Sitting at over 3 hours long, Kong waited til the halfway point to be revealed. Critically King Kong was a mostly solid film, but the fans weren’t wholly impressed. As stated, it took forever to see Kong, the graphics like the stampede with the dinosaurs were kind of cheesy, and not everyone was too enthused with Naomi Watts charming the big ape with a little dance number. For me personally, I thought it was a decent film despite waiting forever to see Kong. I think I made my point.

Now in 2017, with a giant monster cinematic universe underway, Kong has returned to the big screen. Unlike Kong’s predecessors, this film is set in the 70s right after the Vietnam war has ended. A team of scientists with along with a military escort ventures into an unexplored island and encounters a lost world filled with giant monsters. Upon entering the island, the military begins dropping seismic charges to the ground for land surveying purposes, not knowing the explosions angers the island’s King. From the onslaught of Kong’s fury, the survivors must find a way out of the island encountering Kong and other otherworldly giant inhabitants.

Skull Island reminds us very quickly why Kong is king on the silver screen. He gets ample screen time. We see him briefly in the opening scene, and then we are quickly thrust into the island. Instantly, with a thrown palm tree that penetrates through a chopper like a spear, we encounter a very angry Kong. Every scene with Kong is thrilling.

It’s his human counterparts that don’t quite measure up. The filmmakers made it quite clear who the focus of the film is, as it should be unlike 2014’s Godzilla. Yes, I’m still bitter. Each of the human characters have little development. We are introduced to Tom Hiddleston as an excellent tracker and wilderness expert with a somewhat mysterious military background. We never see him do the things he’s famous for. Brie Larson is coming off a big win last year as best actress academy winner for Room. Here she mostly just carries a camera and gives facial expressions to the circumstances around her. Granted towards the end, we get a connection between her and Kong which slightly resembles Kong’s history with a damsel in distress. Honestly, it felt like she’s in the movie just for that moment to happen. Sam Jackson and John Goodman are a little deeper with their presence but stick with their normal slightly unhinged authority figure with an agenda that grinds against the protagonists ideals.


There were quite a few moments where insane stuff would happen to the scientists and the soldiers and their reaction were a bit odd. For example; trekking along the river, a group of small flying pterodactyls assaults the group carrying off one of the men, in midair tears that man apart, and then flies off. The others stay on the boat, a little shaken, moves on. “There’s nothing we can do, we have to keep moving.” One of them says. One, you have never seen flying pterodactyls before. Two, these little monsters were assaulting your group. And Three, one of your members were taken away, ripped apart and eaten before your very eyes. I would think that there would be a little more reaction than, “well, let’s move on”. That’s one of a few small nuisances from an otherwise solid blockbuster.

What differs this Kong from all other Kong movies is that the heart of Kong’s story is a love story that ends with a tragedy. We know nothing of Kong’s history. We only know that he is stolen away from his home, falls in love with a woman and dies to protect her. Which is why the fall from the empire state building is the ultimate tragedy. Thats why sequels to Kong has never worked. Although its hinted, this Kong has no love story. We are given a backstory of his solitude and why he’s king/God of the island. However, if we are to see Kong vs Godzilla (title still pending), the tragic death of Kong cannot happen which why we have this version instead and it works.

Kong is a fun, fast paced, action-packed, first-rate monster movie. It’s man versus nature in its purest form. Fans of Kong and giant monster flicks should have a pretty good time. Just don’t go expecting deep thinking, emotionally charged, or something dialogue heavy. Oh, and stay through the credits.

Before Kong: Skull Island

GZ-FP-010rIn preparation for Kong: Skull Island, I decided to rewatch Godzilla. You know, the American re-remake. I remember watching the teaser trailer for the first time. A group of soldiers jumped out of plane with red smoke trailing behind them as they freefell pass the massive lizard. You could not see much, but you saw enough to get excited. I thought, “Oh My God!”and I nearly shat myself. Not really, but I was a huge fan of the Godzilla movies, especially the Japanese classic. I grew up watching Godzilla, a man in a rubber suit, fighting various giant monsters. Mothra, Mechagodzilla, Rhodan, Ghidorah, etc. I loved it, despite how cheesy it was. Even the 1998 Godzilla, where the giant lizard attacked New York was decent fun for little 10-year-old me.

Flash forward 16 years, my wife and I saw the new Godzilla on opening weekend. Once the ending credits rolled, I found myself greatly disappointed. Sure I had huge expectations. It’s freaking Godzilla! And Bryan Cranston was in it, how much better could it have been? Then… *Spoiler Alert!* come to find out, they killed him off early in the movie. Thus giving us a bunch of other human characters that nobody really cares about. We just want to see the big greenish lizard, which took nearly an hour and half to get to? Did Gareth Edwards take a lesson from Peter Jackson’s King Kong? The whole Godzilla movie, we kept getting teasers of the Lizard fighting MUTOs but never actually seeing them fight until about an hour and 45 minutes into the movie. Then we get a pretty sweet but very short battle between the 2 huge monsters. For a movie about Godzilla, they only gave him 8 minutes of screen time in a 2 hour-long movie. Absolutely, the final climatic battle was amazing. When Godzilla’s spikes glowed blue, I geeked out. However, I still left the theater with a great deal of disappointment.

Upon the release of Godzilla in 2014, it was announced that Godzilla was part of a “shared universe”(think Marvel), where he will square off with non other than King Kong. First Kong will get his own movie then we will get a Godzilla vs Kong. Flash forward to almost 3 years where Kong: Skull Island will be released in theaters in just 3 days. The trailers look very promising and the reviews from critics who were able to see an early screening remain pretty positive. Two main things that I have gathered from the trailers; one, rather than rehash the same old 1930s America discovering a mysterious island, it looks we are brought to the 70s. The look has a very strong Apocalypse Now feel to it. Two, Kong has been given ample screen time.


The stakes are pretty high for Kong. We’ll see how well he fares in his new film this weekend. Starring Nick Fury, Loki, the future Captain Marvel, and Corpsman Dey.